2016 Archives

Wordless Wednesday: December 14, 2016

 

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Wednesday, December 14th, 2016

Quotables: “At some point in my life I decided that I was going to write like hell”: 15 writing tips from Nick Ripatrazone (The Millions)

 

I once took a novel writing course that my professor said would stretch us to our limits. It did. I hated the draft of my novel: all that seemed to happen is that my characters would go on walks through the woods to a pond, fish, talk, and repeat. One night when my roommate probably wished I would go to sleep, I wrote my professor a long e-mail, and he responded the next morning with the single best writing advice that I ever received: “worrying isn’t work.” It’s not. Writers love to worry. We — it’s okay to admit it — are rather melodramatic. Worrying has never finished a paragraph or fixed a slow opening. You can worry away your writing life, or you can catch yourself the next time you start to worry, go for a walk, and replace those worries with work.”

Read the full article here: “Don’t Worry. Don’t Wait. Write,” The Millions, November 21, 2016

And visit Nick Ripatrazone.

 

Wednesday, December 14th, 2016

Wordless Wednesday: December 7, 2016

 

©2016 Allyson Latta

©2016 Allyson Latta

 

 

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Wednesday, December 7th, 2016

“Warm life preserved by the pen”: Memoirist Laurie Lee and the valley he loved

 

Writer Laurie Lee

Writer Laurie Lee

 

Some places capture your heart because they are yours, and others, because they belong to someone whose words weave a spell that draws you in.

My husband and I were on an autumn vacation in the Cotwolds and on our way to Sheepscombe, a picturesque village in Gloucestershire, when I realized how close we were to Slad, the childhood home and final resting place of English writer Laurie Lee. Of course, I insisted on a little detour.

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Wednesday, December 7th, 2016

Wordless Wednesday: October 26, 2016

 

©2016 Allyson Latta

©2016 Allyson Latta

 

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Wednesday, October 26th, 2016

Quotables: Dani Shapiro on the Serial Memoirist’s Plight

danishapiro

“But some readers of memoir are looking for secrets, for complete transparency on the part of the author, as if the point is confession, and the process of reading memoir, a voyeuristic one. This idea of transparency troubles me, and is, I think, at the root of the serial memoirist’s plight. My goal when I sit down to write out of my own circumstances is not to make myself transparent. In fact, I am building an edifice. Stone by stone, I am constructing a story. Brick by brick, I am learning what image, what memory belongs to what. I am arranging the pieces that come my way, as Virginia Woolf suggests in her diary. I am attempting to make a piece of music as clear, as emotionally resonant and orderly, as a sonata. I am striving to make order out of chaos, which is the sweetest pleasure I know. When I succeed, I have a thing, this story, to offer. It isn’t me. It isn’t even a facsimile. I have used my life — rather than my life using me — to make something more beautiful and refined than I could ever be.”

Read the complete essay here:  “When You Write a Memoir, Readers Think They Know You Better Than They Do” (The New York Times, June 27, 2016)

Wednesday, October 26th, 2016