‘Seven Treasures: A memoir series’ Archives

Seven Treasures, part 18: guest post by Suzanne Adam

SUZANNE ADAM left her native California for Chile in 1972 to marry her Chilean boyfriend. She explores how this experience has shaped her life in her memoir-in-progress Marrying Santiago. A member of Santiago Writers, she has had narrative essays published in The Christian Science Monitor, California Monthly, and Sasee Magazine.

Tree-hugger, avid memoir reader, nature writer, talker to stray dogs and cats, gardener, CNN news junkie, serious recycler, walker, birdwatcher, lover of storms and laughter, Pilates aficionado, and doting granny, she’s embracing aging and working up the courage to let her hair go grey.

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Monday, November 26th, 2012

Seven Treasures, part 17: guest post by Morgan Holmes

Morgan Holmes (photo: Stuart Lowe)

I pay my bills by working as a freelance writer/editor. Usually, that entails me hewing and sanding language about others’ thoughts and interests. A hygienic business, for the most part — subjects kept safely distant, taut, and orderly. But this Seven Treasures project: it required trekking through much bramblier and overgrown woods than I expected. My words here carry the cuts, scrapes, and burrs that prove I made the journey (even if I’m not sure where I’ve arrived).




1. “Into the Primitive”

This is the first object winking at me from my dusty cabinet of curiosities: Jack London’s The Call of the Wild — 7 3/4” x 5 1/8” x nearly 14/16”. Unabridged. Illustrated. Published in Wisconsin. According to my mum’s note written on the flyleaf, I received this “as a prize for spelling in grade 2, June 1974.” The cover art is blue midnight, wintery northern-spruce forest, and snarling jaws: clearly for boys only! I musta wept some lonesome-critter tears that summer.




2. My Little Friend

Another maternal inscription. This time, not literal. He stands barely 2 9/16” tall. Mostly creamy grey, with traces of yellow and blue paint in the creases of his long coat and belt. This is Dopey: the seventh dwarf — my mum’s tiny figurine from the late 1930s or early ’40s.

We moved out of my childhood home when I was 15 and most of my toys vanished. Not certain how. But Dopey stuck around ’til I unearthed him years later from a wooden whisky box lurking in a spidery corner of my grandparents’ cellar. He’s my talisman. We’ve been on some top-notch rambles together.

3. Ducks Are People

My father fell ill when I was 15. He passed away seven years later. Memories of dad as a vital person are the ones I strive to hang on to. Best of all: down at the lake — floating, tinkering, smoking, napping.

Among the few trinkets that came to me when he died is a green metal pin-on button (rusty on the back) — 2 1/8” across. In the centre there’s a white cartoon silhouette of a smiling duck, with the words “Love a Little White Duck” slung around the circumference. I can’t recall my father ever wearing this button, nor do I even know where it came from or what the message means. But at least it’s clear this mysterious bit of paint and tin was something that made him laugh enough to keep.

4. Rhymes with Memory

I couldn’t have just one book amongst my treasures. This next one measures 4 3/8” x 6 5/8” x 1 1/8”, and, like the volume before, it too was a school prize. Forty-three years before I howled with Jack London, my grandfather received Arthur Quiller-Couch’s redoubtable Oxford Book of Victorian Verse for “general proficiency” in form IVB at Ashbury. Its 1,023 pages are thin, serious tissues, but the volume itself is sturdily bound in faded scarlet morocco.

I read Hardy’s “Darkling Thrush” from this little book at his funeral. It bolstered me to speak those old rhymes and to rekindle, through “the growing gloom,” my granddad’s “happy good-night air.”


5. Uisge Beatha

Here’s one that’s cheerier (about time). Throughout my childhood I was absorbed by nature’s mysterious creatures and corners, blathering vigorously to whatever adult would listen about uncanny forest footprints, the ghost of Anne Boleyn, WWII fighter planes that vanished around Bermuda, and scaly beasts that reside in watery caves. But it used to drive me nuts (still does) when I would hear about so-called scientific missions to “find” Nessie. So bullyish and so wrong to disturb her misty Scots solitude!

When Auntie Margaret passed away, I pocketed from a shelf in her home a ceramic figurine of the enigmatic creature herself. A smiling wee lass (4 15/16” nose to tail) sporting a jaunty tam and a belly full of Beneagles, my Nessie paddles blithely, undisturbed, across the surface of her grey-green loch.

6. Joie d’Hiver

Within about a month of decamping to Montreal in late summer 1989 I fell hard for another new transplant named Dennis. Around the same time we met, Den learned that he had taken second prize in that year’s Labour Day weekend novel competition sponsored by Arsenal Pulp Press. The even better news contained in that letter was that Arsenal’s editor so admired the manuscript he invited Den to rework it for publication.

Now, when I thumb through the resulting book — Dog Years — I time-travel back to that long, sub-zero St. Lawrence winter where I was kept warm by two entwined intensities: a new relationship and Den’s powerful word-alchemy.

7. Resinous

Organic last: in places a thumbnail thick, shaggy, craggy, grey-brown bark surrounds the pale creamy-orange heart of a half-circle fist-and-knuckles fragment of silver maple.

Throughout my childhood, that ancient dragon stood on the west side of my grandparent’s place. He shaded my bedroom from summer’s late-afternoon sun, made room for all my scrappy birdhouses. The tiniest puff of breeze and every branch would snap to life with glinting, quaking, argent-green eyes.

I was down south at university when he was felled. I recall the knee-buckling drift I felt when I returned home one holiday to find his space empty, the illumination switched off. A few limb-shards lay scattered in the ragged mid-December snow. I retrieved one. Twenty years on and those woody rings preserve my friend’s sharp, spicy aroma.

*     *     *

MORGAN HOLMES grew up on the igneous shield of Northern Ontario. He spent most of his 20s in Montreal, and since then has found himself skirting Lake Ontario’s lowland shores. A freelance writer and editor (www.wordmeridian.com), Morgan also teaches continuing-education courses at Ryerson University (Shakespeare in Performance, The Art of Promotional Writing). When off the clock, he likes to spend time on wordless pursuits — his top three being piping, hiking, and canoeing.

To learn about other contributors to this series and the stories behind their treasures, click here.

Tuesday, November 13th, 2012

Seven Treasures, part 16: guest post by Shivaun Hearne

SHIVAUN HEARNE has managed the editorial and production department of the University of the West Indies Press since 2000. She was born in England, raised in Jamaica, and educated in Jamaica and Canada. She lives in Toronto.





My charm bracelet. This is, admittedly, a bit of a cheat in this list, holding as it does twenty-six treasures. But it is my most prized possession and the thing that contains my history and connects me to most of my beloved ones, living and dead. I don’t wear it as much as I’d like to because I fear losing one of the charms, but even the ones I’ve lost (including one that was miraculously found) have a story.

The short version of the charm bracelet tale is that it was my mother’s. About fifteen years ago, before charm bracelets became popular again (the whole Pandora fad), and for reasons unknown to me, I declared I needed a chunky charm bracelet and my mum had this tucked away in her drawer. I don’t remember ever having seen it in my childhood forages into her jewellery drawer, but it appeared when I needed it and it was perfect. From the unknown Sophie’s charm recalling the 1884 Cotton Expo in New Orleans,  to my uncle Chris’s engraved infant-sized St. Christopher medal (a christening present), to the increasingly clever vintage charms I seek out and that my husband, Kevin, manages to find, this has become the portal to my story.


My Canadian citizenship card. It may seem an odd treasure, but it’s small and portable, and despite my entitlement to two other citizenships, Canada is the country that embodies who I am and the citizenship I embrace with pride. I was born in England and raised, from the age of six months, in Jamaica. And I love both countries. England, to me, is a sense of family — it was my mother’s country, despite the fact that she spent most of the last sixty years of her life in Jamaica, and the country of most of my small family. I feel a sense of connection, but I lived there with one eye always on the door, never really at peace. An island of myriad delights, it is, ultimately, a country that breaks my heart and a place where I cannot live as I would like. And so, Canada: my country of chance.

When I was seventeen and looking at universities abroad, I was wisely advised by a family friend to consider Canada because tuition fees were lower here than in the U.S. When I saw that tuition was lower still for citizens, my father’s long-forgotten Canadian birth certificate suddenly became significant. He had long since claimed his Jamaican citizenship and always travelled on that passport. He had in fact been dismissive of the accident of his birth here, partly because he loved Jamaica fiercely, but I think partly, too, because it was tied to a family “shame”: his mother had left his father while pregnant, to join her sister who was working in Montreal. I didn’t realize until years later that their marriage certificate is dated November 25, 1925, and my father was born February 4, 1926. Do the math. My grandfather travelled to Montreal in 1928 to bring his family home, and so my father was raised in Jamaica.

A month before my eighteenth birthday (after which the process would become more complicated), I hied myself off to the Canadian High Commission to claim my citizenship to a country I had only ever seen from the inside of airports, en route to England.

When I came here for university in 1985, because I entered as a Canadian citizen I had none of the orientation for international students: that meant sudden and full immersion. After an odd first few years, I found my feet and made some wonderful friends and the first roots of connection to the country took hold. I stayed until 1990 and then returned to Jamaica, intending to remain there only a year. That year turned into fifteen.

On a visit to Toronto in October 2004, I was struck with the feeling “I have to be here.” Six months later, I was living here once again, ostensibly for a year — but I knew already that it would be forever. And then, I met a Canadian man who felt like home to me, and is.


The Offering. I bought this painting the day after my mother’s funeral in 2009. We went to the opening of an exhibition by a friend in Jamaica, Lisa Lindo. I had seen this work on the invitation and fell in love with it, and when we arrived it was one of the few pieces that hadn’t sold yet. I was with a dear friend, who suggested I buy it in memory of my mother. The fact that I had just that day received an unexpected cheque from the Jamaican government (for funeral costs for a pensioner) in the amount of the price of the painting made it seem like kismet. I bought it even before I had a wall to hang it on. When we moved into our house, there was a nail in just the right spot in the living room, and that’s where it hangs to this day.


The key to our house. I have dreamed of owning a house for as long as I can remember. As a child I would read the real estate classifieds and imagine living in the places described there. Now, having a place of our own, one that feels permanent — as much as these things can be so —  is a source of great joy. And I love the life that my husband and I (and our dog, Alice) have built here since 2010. I work from home, and I have yet to tire of these walls. (Admittedly, Scotiabank is the real owner of the house, and I accept that we are merely renting from them, but the bank is a less capricious landlord than an individual who could decide to sell at any time.) More than wanting a house, though, I want this to be a home away from home for my family of friends, a sanctuary of the sort I have known through the kindness of others. And the unexpected bonus is that we live in a wonderful neighbourhood with lovely neighbours, some of whom have become close friends: I have a sense of community, of connection to a place, of belonging.


My wedding ring. Kevin and I met in 2006 and lived together for years before we got married. He proposed a few years ago but I knew I didn’t want a traditional wedding or ring, and as a joke I said, “Whittle me a ring out of wood from the cottage.” Obviously that wouldn’t work, but I got a bee in my bonnet about having a ring that incorporated wood. On Etsy.com we found a wonderful company, Minter & Richter Designs, that uses a process of stabilizing wood and setting it in titanium to make a virtually indestructible ring. We sent them black walnut from a tree at the cottage and they made exactly the rings we wanted. We got married in September 2010.


The Cottage Logs. These journals are a record of our life together at the Far Side, our off-the-grid cottage on a pristine lake, and perhaps the most pure and special place I have ever known. Kevin had bought the cottage a few years before we met, and it’s where we really fell in love. We can be completely cut off from the outside world (other than CBC radio, my eighth treasure), and be absolutely at peace together on this extraordinary piece of the Canadian Shield. We started the logs in 2007, intending them to be a record of temperatures and weather conditions, wildlife sightings, and daily activities, but over the years they’ve become so much more. Guests add entries too, and even when our notes are almost illegible, the process of deciphering them brings memories flooding back.


My iPhone. The first one, I mean. The one that was actually an eyePhone. This was a Christmas present from Kev, before either of us even had iPods and when iPhones had just come out, and I had declared, “No i-ANYTHING for Christmas. We can’t afford it.” So he made me the eyePhone, which I thought was hilarious and clever. We both got iPhones a couple of years later and that was life-changing, of course — but my first eyePhone will always be special.



Wednesday, October 24th, 2012

Seven Treasures, part 15: guest post by Catherine Graham

CATHERINE GRAHAM is the author of four critically acclaimed poetry collections: The Watch, and the poetry trilogy Pupa, The Red Element, and Winterkill. Her work has appeared in The Malahat Review, Descant Magazine, Poetry Ireland Review, The New Quarterly, Joyland, Literary Review of Canada, and The Fiddlehead. She holds a master’s degree in creative writing from Lancaster University (U.K.) and in addition to mentoring privately she teaches creative writing at the University of Toronto’s School of Continuing Studies and the Haliburton School of the Arts. Catherine was judge for the 2012 Aspiring Canadian Poets Contest and will mentor the winners. Her next collection will appear in fall 2013 with Wolsak & Wynn. Visit www.catherinegraham.com

Seven Treasures from my life:

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Thursday, October 4th, 2012

Seven Treasures, part 14: guest post by Frank Soriano

FRANK SORIANO has been happily married for twenty years and has two children — a son, sixteen, and a daughter, fourteen. For thirty years he was employed by a government agency, and he spent the last ten years of his career as a leadership consultant. He was recently released (happily) from indenture and is now a freelance consultant specializing in leadership development, team building, and communication.

Frank participated in Allyson’s June 2010 memoir writing workshop organized by professional keynote speaker Nina Spencer at Verity club in downtown Toronto, Canada.

*     *     *

Here are my seven treasures:


Let me tell you what I did during my summers from the ages of 12 to 20. I went to Camp Soriano, and in retrospect, I realize that made me one of the luckiest kids in the world.

I would get up at 6:30 a.m. and eat breakfast and then catch a ride with my father to his store, where he made custom-made orthopedic shoes and operated a shoe repair shop. Over the course of eight summers, I learned to shine shoes, and replace heels and soles. I also used a Singer sewing machine to repair purses, handbags, shoes, and anything else that needed stitching. That Singer was black cast iron, and incredibly heavy, and it operated with a foot pedal.

I remember asking my father to teach me how to make shoes so I could help him more with his work. He would smile at me and show me his hands, dark with black ink, callused, and wounded, and say to me, “I don’t want your hands to look like mine. Go to school and get an education.”

I still have the sewing machine, which I saved when my father sold his business. I haven’t used it for close to fifty years, but I’m willing to bet that I can still operate it. My mother refers to it as a dust collector, and my wife thinks of it as more junk in the basement.

To me it is so much more.


Miniature wine press

This is a story my father loved to tell.

He was brought up in a small village in Italy, near Naples. When he was three years old, my grandfather would put two glasses in front of him at the dinner table, one filled with wine, the other with a blend of water and wine. My grandfather would ask my father to tell him which glass was just wine.

After tasting some from each glass, Dad always picked the right glass. This, according to my father, was how at an early age he developed his taste for wine.

After moving to Canada, as soon as he was able to, he bought himself all the necessary equipment, including il torcio, the wine press. He prided himself on making a fine wine, a process he had learned back in the old country from his father.

Every fall, usually in the second week of October, we would set off to buy cases of grapes — specific brands, in specific quantities, to ensure the “right” mix for his treasured wine. There was also a “process” and we were not to deviate from that process.

Grapes were purchased on a Wednesday night, broken up using a machine for that purpose, and left to ferment in the barrel for three days. After dinner on Saturday night, we put the grapes in the wine press to squeeze all the juice out of them, a procedure that went on all night. Grape juice flowed from the wine press, and regardless of the impurities we would sample it and determine whether it was going to be a “fine wine year.”

The next morning, the wine was brought down into the cantina — the wine cellar — in gallon jugs and poured into a larger, 40-gallon glass container, where it was allowed to ferment for a short period of time. And all the grape remnants were removed from the equipment, which was washed and stored away until the following year.

As his health failed, my father realized he wouldn’t be making wine anymore and he wanted me to sell the wine press. I just couldn’t. It takes me back to my childhood, and a special time that I shared with him. I never saw my father look happier than when he was engaged in this yearly ritual, learned from his father and handed down to me.

The truth is, I haven’t made wine since my father passed away a number of years ago, so for now, the wine press sits in a corner of the garage. One day it may be used once again. I’d better be sure not to deviate from the process.


When my father first arrived in Canada from Italy, in 1948, suits for men were double-breasted with pointed wide lapels and big buttons. Trousers were pleated with cuffs. And ties were wide. Every man owned and wore an Italian Borsalino hat, a fedora as it’s known here. It was made famous by Al Capone, and later Humphrey Bogart and Indiana Jones. And now Justin Timberlake wears one.

In my dad’s day it was a “must have.” Back then, cars were built such that you could actually wear a hat like that while driving.

I suppose I’d always been fascinated with them, and thirty years ago, I purchased a Borsalino hat for myself. It’s navy blue with a wide band. I like the look of it: the wide brim, the peak. When I wear it, people comment on how great it looks and how more men should wear them.

To me the hat is symbolic of a different time and place, glamorized but fascinating. You know — Al Capone, Elliot Ness, and the Roaring Twenties. I still wear that Borsalino hat, especially when the weather is cold.


I met Bubbi Ida in 1976, and over the years I spent many an evening talking to her on her front porch about the nature of life and our existence. Later, my kids adopted this remarkable woman as their Jewish grandmother.

While visiting Venice in the early 1960s, she had purchased a marble figurine of a charioteer reining in two muscular horses. She told me she had carried that figurine in her hands all the way back from Italy to make sure nothing happened to it. The sculpture is a work of stunning craftsmanship, and I have always admired its detail and the sense of power it projects.

In her later years, when Bubbi was giving up some of her treasured possessions, she asked me to take care of the figurine for her. Now one of my treasures, it sits proudly on my fireplace mantel.

I’ll be forever grateful that for the past forty years of my life I had the good fortune to know Bubbi Ida. The charioteer and his horses remind me of this woman who exemplified wisdom, compassion, understanding, generosity, and kindness.


I can’t remember a day that I didn’t enjoy going to school, and part of my joy came from playing defensive tackle for the York Memo Mustangs.

I still have my football jersey, ripped and torn, evidence of some meaningful collisions and tackles on the field. Over the years I have stitched it up repeatedly and my kids have had fun wearing it to school for “theme” days.

As it happens, my daughter is a competitive swimmer, part of the York Swim Club. The club uses Centennial Pool, which is connected to my old high school and was completed when I was in Grade 11. Days when I go to pick her up, I make my way to the back of the school and walk toward the football field. The running track has been neglected and is overgrown with weeds, but the football field is still used by students there.

As I can stand there I can almost see my team playing against our rivals, and I am reminded of the many happy days I spent in high school, and why I treasure that red and gold football jersey, number 82.


When my parents got engaged in the late 1940s, my father presented my mother with an engagement ring and she reciprocated by giving him a matching set of Parker pens, black with gold caps. One was a fountain pen and the other a mechanical pencil. My father loved to write, especially to his sister in Italy.

Not a lot of people use fountain pens today, and there’s not much handwriting done either. But there is a singular beauty in the flow of a fountain pen that cannot be explained to anyone who hasn’t used one. Pens may be more advanced these days, but the fountain pen reminds me of a day when you would sit down and take the time to write a letter or note and would not be rushed.

I still have both pens and keep them safe, planning one day to pass them on to my son or daughter, a reminder of the grandfather they came to know and love.


Like most parents with children, at some point we became overwhelmed with the number of toys and games the children had accumulated, many of them gifts from close friends and relatives. The problem is, where do you store them?

My wife suggested purchasing a cabinet from IKEA. “Over my dead body,” I said with my inside voice.

A carpenter wannabe, I told her I would build a wooden cabinet myself to store the toys. The cabinet would have stile-and-rail panels for the doors, Winnie-the-Pooh decorations, and two-tone paint. My wife thought that I was overreaching, but I was determined.

It took me six months’ worth of weekends and I learned as I went along, but I ended up building a six-foot cabinet, painted just as I’d visualized it, with more than enough room to store everything.

The kids still use the cabinet, though these days it’s for belongings other than toys. And when I look at it I know that I made something that they cherish as I do. I hope, too, that as a result they see me as someone who wasn’t afraid to try something I’d never done before, someone who was willing to learn through doing.

Maybe after they’ve left home, I’ll keep the cabinet for my own toys.

Also read Frank’s short memoir “Letters to My Children” on this website.

Watch for poet Catherine Graham’s “Seven Treasures,” coming soon.

Friday, September 14th, 2012

Seven Treasures, part 13: guest post by author Diane Schoemperlen

You’ll find links to previous guest posts in this series here.

And read Diane’s “Red Plaid Shirt” (fiction, 1989). Items of clothing in a young woman’s closet reflect her memories and feelings of disappointment, loss, comfort, and hope.


Born and raised in Thunder Bay, Ontario, DIANE SCHOEMPERLEN has lived in Kingston for twenty-five years. She has recently completed a stint as Writer-in-Residence at Queen’s University. She has published several collections of short fiction and three novels, In the Language of Love (1994), Our Lady of the Lost and Found (2001), and At A Loss For Words (2008). Her 1990 collection, The Man of My Dreams, was shortlisted for both the Governor General’s Literary Award and the Trillium Book Award. Her collection Forms of Devotion: Stories and Pictures won the 1998 Governor General’s Literary Award for English Fiction. Her first non-fiction book, Names of the Dead: An Elegy for the Victims of September 11, was published in August 2004 and was included in the Globe and Mail‘s 100 Best Books of the Year.

In 2008, Diane received the Marian Engel Award from the Writers’ Trust of Canada. She is currently working on a collection of stories illustrated with her own colour collages.

*     *     *

Here are seven of my many treasures, in no particular order.


From the time I was a young girl, one of my greatest joys has been visiting stationery stores. I still find there is no better cure for a bad day. (Post-it notes are better than Paxil!) Back then, the best (only) one in Thunder Bay was Rutledge’s on Victoria Avenue. My parents tolerated my stationery obsession fairly well, although I remember my mother once suggesting that I should use my allowance to buy a blouse or a necklace, like a normal girl.

When I started high school in 1969 I went to Rutledge’s and bought myself a psychedelic black and purple Paper Mate ballpoint pen. I used it all through high school and university and beyond. The very first stories I ever published were written with this pen. Although it hasn’t actually worked for a very long time, there has never been a day over the past forty years that I haven’t known exactly where it is.


When I was a child my mother belonged to a mail-order jewellery club. Every month she received a package containing the settings, the jewels, and detailed instructions for the creation of each piece. She worked on them every evening in the living room on a small square collapsible table that we called “the kindergarten table” because it was meant for children and was decorated with drawings of happy kids. Each jewel had to be set in place carefully and precisely with a special pair of tweezers. My mother had very steady hands. I have an extensive collection of her jewellery creations but my favourites of the bunch are two peacock brooches. They are just over five inches long, and, even after all these years, not a single jewel is missing. Why have I never worn them?


My first novel, In the Language of Love (1994), begins with a scene in which the adolescent-angst-ridden thirteen-year-old protagonist, Joanna, is suffering through yet another awful supper with her awful parents:

“The mother slapped the plates down on the table in that way all angry mothers do. The father, folding up his newspaper, pretended not to notice. Or maybe he didn’t notice. Maybe he was too busy thinking about other things….

“The daughter picked at the foam rubber backing on the yellow placemat and studied the plate plopped in front of her. It was plaid, of all things, brown-and-white plaid. The daughter was mortified. She thought she would die, just die, if she had to eat one more meal off these plates at this table with these people.”

She didn’t die, and I still have one of those brown-and-white plaid plates.


I have kept two of my autograph books — remember those? — from the late sixties, filled with the signatures and best wishes of my public school teachers and some pithy verses from my friends:

I like you in my heart,

I like you in my liver.

If I met you on a bridge,

I’d throw you in the river.


Don’t go kissing

By the garden gate.

Love is blind

But the neighbours ain’t.


When you get married

And have twins

Don’t come to me

For safety pins.


If I had your picture,

I’d treat it real nice.

I’d put it in the barn

To scare away the mice!


I also have two of my mother’s autograph books, dating from 1929 to 1934 when she was a teenager, one of twelve children growing up on a farm in Manitoba. The verses written, and sometimes illustrated, by her friends are of a somewhat different tone than those written by mine:

The way to be rich without money

And happy in spite of the rain

Is this — to store nothing but honey

In each little cell of your brain.


Life is like a game of cards.

When you’re in love it’s “Hearts.”

When you’re engaged it’s “Diamonds.”

When you’re married it’s “Clubs.”

And when you’re dead it’s “Spades.”


There’s a neat little clock,

In the schoolroom it stands,

And it points to its face

With its two little hands.

And so may we, like the clock

Keep a face clean and bright

With hands ever ready

To do what is right.

(P.S. Baloney!)


And surprisingly, some are the same:

When you are married

And have twins,

Don’t come to my house

For your safety pins.


In 1998, much to my delight, my book Forms of Devotion: Stories and Pictures won the Governor General’s Literary Award for English Fiction. The Governor General at the time was Roméo Leblanc and he presented each of the winners with a boxed leather-bound copy of their book created by renowned Canadian bookbinder Pierre Ouvrard.

It was not until I got home after all the festivities in Ottawa that I discovered Monsieur Ouvrard had misspelled my last name on the spine of the book. To me, somehow this makes it an even more treasured keepsake.



My father was a radio operator in a tank during the Second World War. Along with many photos from his years overseas, I also have his five medals and the little book all soldiers were issued and required to carry at all times called Canadian Army Soldier’s Service Book. It contains many lists including Rank and Appointment, Particulars of Training, Educational Qualifications, Medical Classification, Particulars of Dental Treatment, Protective Inoculations, and one page called simply “Will” with the note that it is “Solely for use on Active Service. This Will page must NOT be used until you have been placed under orders for Active Service.” Tucked into the book are his identification card from the Department of National Defence, his Tradesmen’s Qualifications Certificate, and his Discharge Certificate.



My son was born in July 1985 so I have now accumulated twenty-seven years’ worth of treasures from every stage of his life. For the first five of those years, he had brown curly hair, which I trimmed at home myself every once in a while, a distinct form of torture through which he cried every time. It was not until he was about to start kindergarten that I took him for a real haircut. This time we both cried.

As many mothers do, I assume, I kept my child’s precious curls. I also have his baby teeth in a little plastic bag. Do other mothers do this too or is he right when he says, “That’s just plain creepy, Mom”?

 *     *     *

As other contributors to this wonderful series have noted, the biggest challenge of this exercise was limiting it to seven. Once I got started, I found I could have listed dozens of treasures that I’ve accumulated over my lifetime. Searching for my treasures stashed in various special spots throughout my house, I decided that what I really needed was a special box in which to keep them all together. So here is my treasure box …



And here’s a coincidence: Diane’s review of The Book of Marvels: A Compendium of Everyday Things by Lorna Crozier, was published in the Globe and Mail on Friday: “Finding the Extraordinary in the Ordinary.”

Monday, August 27th, 2012